top of page

Maire Therese Carmack

MEZZO-SOPRANO

AT A GLANCE.

American mezzo-soprano Maire Therese Carmack, Third Prize winner of the Operalia World Opera Competition, has been praised by Opera News for her "deep mezzo and vibrant metallic timbre" and for "taking focus by her very presence." Season highlights include Maire Therese's critically acclaimed debut with Houston Grand Opera as Dodo McNeill in Missy Mazzoli and Royce Vavrek’s Breaking the Waves. A recent graduate of the Lindemann Young Artist Development Program at the Metropolitan Opera, Maire Therese’s 25/26 season features role debuts with houses including Semperoper Dresden and Opéra de Monte-Carlo.

a sonorous
mezzo-soprano with a seductive side.

klassik begeistert

PRAISE FOR
maire therese.

"The audience favorite was clearly Maire Therese Carmack in the impossible role of Princess Eboli. Impossible because the role's two big arias are so completely different that one singer can rarely pull them both off successfully. But Carmack sang The Veil Song, the deceptively light coloratura ballad, and the searing, self-castigating aria "O don fatale" with equal control, power, and affect."

Musical America

"The most impressive of the cast vocally was Maire Therese Carmack as the malevolent Juno. Her deep, contralto-ish mezzo has a vibrant metallic timbre that maintains its quality into the higher range. She used her wide coloristic range to expressive advantage, whether in the commanding, "Hence, Iris, hence away" (another Handel hit tune), the cajoling "Behold in this mirror" or the viciously jubilant "Above measure is the pleasure." An imposing figure onstage, Carmack can take focus by her very presence."

OPERA NEWS
Maire-2-2.0.gif

sumptuous, dusky and lush.

seen and heard international
bottom of page